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portfolio site of artist anna tas

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portfolio site of artist anna tas

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Untitled #1

In Praise of Entropy (2022 - 2023)

In many ways, this series was a response to the wider chaos of the world - the pandemic, the global geo-political situation - the sense of things spiralling out of control. I moved back to the UK with my family, and reconnected with many places I loved as a child - including the the great stained-glass cathedral windows of Canterbury Cathedral, and the tidepools of the Kent Coast. Made with the flotsam and jetsam I have accumulated through my career, fragmented, yet whole - the seemingly random and ever-changing connections that weave us all together.

Animated images shown are available as unique NFTS; physical lenticular pieces are limited edition 24” x 36” panels (edition of 10), but naturally differ from the animations and are best seen in person.

In Praise of Entropy (2022 - 2023)

In many ways, this series was a response to the wider chaos of the world - the pandemic, the global geo-political situation - the sense of things spiralling out of control. I moved back to the UK with my family, and reconnected with many places I loved as a child - including the the great stained-glass cathedral windows of Canterbury Cathedral, and the tidepools of the Kent Coast. Made with the flotsam and jetsam I have accumulated through my career, fragmented, yet whole - the seemingly random and ever-changing connections that weave us all together.

Animated images shown are available as unique NFTS; physical lenticular pieces are limited edition 24” x 36” panels (edition of 10), but naturally differ from the animations and are best seen in person.

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Untitled #10

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